Name Digital Tutors - Real-World Techniques for Multipass Compositing in After Effects
File Type package
Size 3.70GB
UpdateDate 2024-12-17
hash *****7E444DFCD7831BE9EB62A6707AB50C75A4
Hot 1
Files Project_Files/RealWorld Techniques for Multipass Compositing in After Effects.zip | 1.16GB 01. Introduction and project overview.mp4 | 10.23MB 02. Lets get linearized.mp4 | 44.51MB 03. Recommended file formats for compositing.mp4 | 31.42MB 04. Project organization, goals and breakdown.mp4 | 44.13MB 05. Basic additive technique for compositing render elements.mp4 | 46.48MB 06. Advanced additive technique for compositing render elements.mp4 | 51.88MB 07. Using light selects to composite render elements.mp4 | 41.74MB 08. Subtractive techniques for compositing render elements.mp4 | 43.37MB 09. Setting up lighting controls for our composite.mp4 | 51.69MB 10. Balancing our robot composite.mp4 | 75.03MB 11. Improving details on our robot composite.mp4 | 73.95MB 12. Finalizing the first pass for our robot composite.mp4 | 35.56MB 13. Getting started with our Cinema 4D composite.mp4 | 54.75MB 14. Controlling our diffuselighting pass.mp4 | 76.12MB 15. Adding color to our specular and shadow pass.mp4 | 47.91MB 16. Refining our GI pass for our environment.mp4 | 55.51MB 17. Tweaking the ambient and reflection passes.mp4 | 59.10MB 18. Adding an underwater look using our refraction pass..mp4 | 73.49MB 19. What are UV passes and how can we use them.mp4 | 59.79MB 20. Using Uvs to create custom displacement maps.mp4 | 57.10MB 21. Adding bubbles and liquid using UV maps.mp4 | 59.26MB 22. Exploring techniques for compositing AO and Shadow passes..mp4 | 62.09MB 23. Using RGB channels to color match elements.mp4 | 34.40MB 24. Making sure we have a balanced composite.mp4 | 42.29MB 25. Animating our lighting controls.mp4 | 53.33MB 26. Creating a balanced comp for the back of the robot.mp4 | 63.43MB 27. Finishing up the lighting on our robot comp.mp4 | 53.39MB 28. Lets talk about light wraps.mp4 | 63.48MB 29. Overall color grades and vignettes.mp4 | 41.83MB 30. Adding atmospheric particles to our scene..mp4 | 48.31MB 31. Creating and compositing an RGB volume light.mp4 | 81.75MB 32. Addressing client notes in comp to save time.mp4 | 84.77MB 33. Faking liquid using UVs and fractal noise..mp4 | 35.58MB 34. Advanced tips for using UVs.mp4 | 45.43MB 35. Lets talk about relighting.mp4 | 63.90MB 36. Adding contrast and contact lighting.mp4 | 48.38MB 37. Fake reflections and cheap rim lights.mp4 | 67.92MB 38. A new way to look at glows in After Effects.mp4 | 72.45MB 39. Compositing contact lighting for our laser gun flashes.mp4 | 78.85MB 40. A look at Position passes inside After Effects.mp4 | 50.16MB 41. Using Position passes to create UVs.mp4 | 55.71MB 42. Extracting position data from our world position pass.mp4 | 33.31MB 43. Adding destruction elements.mp4 | 71.99MB 44. Depth of field in After Effects using C4D renders.mp4 | 74.54MB 45. Applying depth of field to our robot using MayaVray renders..mp4 | 44.54MB 46. Adding motion blur to our comps.mp4 | 53.40MB 47. Finishing our composite and project.mp4 | 85.66MB
